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Navy blue satin ballet flat embellished with an ivory lace applique.Also available in Ivory. Link here: https://www.etsy.com/listing/277733850/wedding-shoes-ivory-wedding-flats?ref=shop_home_listings- These are only available in whole sizes. No 1/2 sizes available. - From what we can tell, these flats run a bit snug. If you are between sizes, order the larger of the two sizes. * Available for order in US sizes 6-12. Message us if you need a custom order US size 12. - US size 12 measures approximately 27.5cm*We do our very best to photograph in a variety of natural light to give the best color depiction of this shoe. > We do allow returns and exchanges. Details here:https://www.etsy.com/shop/walkinonair/policy?ref=shopinfo_policies_leftnav<><><><><><><><><><><><><><><><><><><><><><><>Like us on Facebook and follow us on Instagram for sales, promotions, and updates on our new designs!!http://www.facebook.com/walkinonair1Follow us on Instagram @Walkin_onair

Details: In previews Jan. 26-28; main run is Jan. 30-Feb. 24; Lesher Center for the Arts, Walnut Creek; $40-$56; 925-943-7469, www.centerrep.org. 4 L.A. Dance Project: The outfit headed by Benjamin Millepied, who famously choreographed the Darren Aronofsky film “Black Swan” (and later married its star, Natalie Portman) founded this troupe in 2011 for what was supposed to be a temporary project presenting cutting-edge dance works. But after generating global praise from the start, L.A. Dance Project is still going strong and lands at Stanford’s Memorial Auditorium Jan. 26-27 to perform three works, including Millepied’s own “Hearts & Arrows.”.

Details: Presented by Stanford Live; 7:30 p.m, both performances; $27-$80; live.stanford.edu, https://youtu.be/THqND1Xdt6g, 5 Peking Acrobats: This renowned troupe returns to Berkeley to indulge us with an eye-popping production that wedding shoes - navy blue bridal ballet flats, low wedding shoes,navy wedding flats,navy satin flats, navy flats,blue flats with includes acrobatics, juggling, gymnastics, daredevil cycling and more, plus those gorgeous costumes, Details: Presented by Cal Performances; 2 and 8 p.m, Jan, 27, 3 p.m, Jan, 28; Zellerbach Hall, UC Berkeley; $30-$76; 510-642-9988, calperformances.org, 6 “Noises Off”: So beloved is this Michael Frayn play-within-a-play farce about a dysfunctional theater troupe involved with doomed production that Pacific Coast Repertory Theatre is breaking from its steady diet of musicals to present this non-musical show..

Details: Jan. 27-Feb. 11; Firehouse Arts Center, Pleasanton; $19-$41; 925-931-4848, www.firehousearts.org. 7 Jasper String Quartet: The award-winning Philadelphia foursome founded in 2004 and mentored by the Tokyo String Quartet comes to San Jose’s Trianon Theatre Jan. 28 with tenor Nicholas Phan to perform works by Schubert and Britten. Details: Presented by San Jose Chamber Music Society; 7 p.m.; $34-$49; www.sjchambermusic.org. 8 Paul Dresher: The Bay Area avant-garde composer and musician brings his Electro-Acoustic Band to San Francisco’s Z Space performance complex to perform the world premiere of Ned Rothenberg’s “Beyond C,” an improvisational work inspired by the Terry Riley classic “In C.” The evening includes a performance by the boundary-pushing group Living Earth Show.

Details: 8 p.m, Jan, 26-27; $14-$22; www.zspace.org, wedding shoes - navy blue bridal ballet flats, low wedding shoes,navy wedding flats,navy satin flats, navy flats,blue flats with 9 “An American in Paris”: This Gene Kelly/Leslie Caron gem, featuring that sumptuous score by Ira and George Gershwin, inspired a Broadway musical that came to San Francisco last year, Livermore’s Bankhead Theater is screening the original movie on Jan, 31, Details: 7 p.m.; $5; 925-373-6800, lvpac.org, 10 “The Moonrisers”: This play performed by the theater company of the same name (which moved to the Bay Area from Montana) features four philosophically-minded homeless people seeking to determine if the moon is real..

By Harrison Smith | Washington Post. Hugh Masekela, a South African trumpeter and singer who formed a musical bridge between two continents, mixing American jazz with African folk in records that made him an early avatar of world music and a joyful standard-bearer of his country’s anti-apartheid movement, died Jan. 23 in Johannesburg. He was 78. Masekela (moss-ay-KAY-lah) had been diagnosed with prostate cancer in 2008. His family announced the death in a statement. Bra Hugh, as he was affectionately known in South Africa, played the flugelhorn and cornet, as well as the trumpet, and he drew from genres as disparate as disco and mbaqanga, a style of South African dance music. He explored the percussion-heavy sound of Afrobeat, collaborated with trumpeter Herb Alpert on a pair of jazz-funk records, performed with the London Symphony Orchestra, and scored a No. 1 hit with a pop instrumental – the sunny 1968 track “Grazing in the Grass.”.

With encouragement from the globally renowned South African-born protest singer Miriam Makeba, his wife in the mid-1960s, he also lent his baritone voice to songs in Zulu, Xhosa and English, A political self-exile for three decades, he wrote the anti-apartheid protest wedding shoes - navy blue bridal ballet flats, low wedding shoes,navy wedding flats,navy satin flats, navy flats,blue flats with anthem “Bring Him Back Home (Nelson Mandela)” (1987), inspired by a birthday letter Masekela received from the imprisoned activist and future South African president, Masekela had been a virtuosic jazz musician in South Africa before landing in New York in 1960, aspiring to be a bebop star, Trumpeter Miles Davis suggested that he instead “make a name” for himself by fusing his knowledge of jazz and African song, Otherwise, Davis warned, “You’ll be just like a thousand other jazz players; you’ll just be a statistic.”..

Masekela took the advice, defying record executives who said his sound was “too African.” He wryly mocked American listeners’ understanding of Africa, titling his third solo album “The Americanization of Ooga Booga” (1966). The record’s cover featured a barefoot Masekela standing in the jungle, holding a briefcase and clad in a Brooks Brothers suit. Not all listeners appreciated Masekela’s new sound – the record “p— off a lot of jazz purists,” he later told the Contra Costa Times – but Masekela remained a pop music fixture, in part through his work in rock-and-roll.

A friend of Jimi Hendrix’s, he played trumpet on singles for the Byrds and performed at the 1967 Monterey Pop Festival, where his howling rendition of “Bajabula Bonke (The Healing Song)” was captured in an acclaimed documentary by D.A, wedding shoes - navy blue bridal ballet flats, low wedding shoes,navy wedding flats,navy satin flats, navy flats,blue flats with Pennebaker, “The Healing Song,” a Swazi folk tune he learned from Makeba, initially served as a throwaway B-side for “Grazing.” The song featured a jangling cowbell, a soaring trumpet solo and a melody written by actor-composer Philemon Hou, It climbed the charts a second time after the soul group Friends of Distinction added lyrics and recorded a cover version..

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