Vintage Sewing Pattern Ballet Slipper Quilted 1940s Style #1011 -paper Version- - On Sale
This is a paper sewing pattern for a sweet pair of slippers that may be made with or without quilting.These ballet slippers may be made in four sizes and quilted either by hand or machine. A material already quilted is also suitable. They may be made of velveteen, satin, corduroy, flannel, upholstery fabrics or a cotton material such as percale or chintz and trimmed with ribbon or bias binding.The pattern comes in Small, Medium, Large and Extra Large.From toe to heel finished, they measure:Small: 9 inchesMedium: 9.75 inchesLarge: 10.5 inchesExtra Large: 11.5 inchesYARDAGESSLIPPERS: 1/2 yard of 36 inch or 3/8 yard 54 inch material.INTERLINING MATERIAL: 1/2 yard of 35 inch heavy outing flannel.LINING MATERIAL: 1/2 yard of 36 inch or 3/8 yard 54 inch material.RIBBON OR BINDING FOR BINDING, BOW AND TIES: 6 yards of 1/2 inch ribbon or 6 yards No. 5 bias binding. Scraps of chamois or an old leather bag large enough for sole pieces; this is used in reenforcing bottom of soles. (Suede, micro suede, or other heavy fabrics could also be substituted)Thread to match ribbon or slipper material.In a hurry? This pattern is also available as a print-at-home instant download here:https://www.etsy.com/listing/88792134Copyright Mrs. Depew Vintage LLC, 2018. All Rights Reserved.For Individual Use Only.
And if they seem overly jubilant over the newness of it all — it’s a 136-year-old historic site, after all — the celebration is justified. After a 20-year struggle to preserve this place, the Knight Foundry opened for public tours this spring. Drive down Eureka Street, just off Old Highway 49, and you’ll spot the foundry’s corrugated metal structures — the transition from original wood to metal sheathing motivated by a fire a century ago. Inside, time stands still. It looks as if the foundry’s artisans and workers just stepped away from this warren of stacked molds and woodworking equipment, powered by Knight’s then-revolutionary 42-inch cast-iron water wheel. You can still see the cupola furnace that once heated iron to 2,800 degrees and the green-sand molds used to shape those molten metal streams into not just equipment for the vast Sierra mines, but ever-greater water wheels used to generate electricity in Oregon, Utah and California.
On this particular summery day, the Knight Foundry Alliance docents are easy to spot in their charcoal-hued foundry aprons, vintage sewing pattern ballet slipper quilted 1940s style #1011 -paper version- leading tours and offering a glimpse into a past rich in history and engineering ingenuity, This is a California Historic Landmark, It’s also a registered National Historic Mechanical Engineering Landmark and docents are stationed along the tour path to discuss the foundry’s intricacies and explain, for example, how coke — a porous processed coal — and iron were layered cake-style in the cupola, so the metal melted in batches..
Volunteer coordinator Ron Edgar shepherds his flock of tourists from station to station, stopping at the mold-making section so Joe Harralson can explain how the molds used for casting iron are fashioned. Even the most unscientific among us grasps the Play-Doh parallels the moment we see the architectural gingerbread molds that were used for state Capitol restoration projects during the foundry’s last days in the 1990s. We’ve spent an hour looking and learning when Edgar steps forward and begins moving the levers that connect the shaft line and belt drive to Knight’s water wheel. Suddenly, the space is transformed. Buffalo-hide belts run swiftly overhead, giant wheels and gears begin rotating and as each machine springs into action, gliding into place and whirring, gasps of surprise and delight go up. It’s like nothing we’ve ever seen, like something out of Myst — or Arthur Weasley’s garage in the Harry Potter books.
It’s a marvel — and one that was nearly lost, When the foundry shuttered in vintage sewing pattern ballet slipper quilted 1940s style #1011 -paper version- the 1990s, the National Trust for Historic Preservation named it one of the nation’s 11 Most Endangered Historic Sites, Twenty years of negotiations and rescue attempts have wrought success at last, The land and buildings were given to the city of Sutter Creek on Jan, 1, By April, the Foundry Alliance had raised the $325,000 necessary to purchase the foundry’s historic contents — $200,000 in private donations and a no-interest, two-year loan to bridge the gap..
The rescue continues via those fascinating monthly tours ($5 for children, $10 for adults), foundry apron sales ($40) and fundraising efforts. And merrymakers will fill Eureka Street on Sept. 23 for the first-ever Feast at the Foundry ($129), which includes a five-course Gold Rush-inspired dinner of botanical greens and local chevre, wild salmon, wood-roasted lamb, pies and ice cream, each course accompanied by a local wine pairing from Wine on 49 (an association of nine Sutter Creek wineries) and dance music by the Pine Street Ramblers.
And yes, the water wheel will be running, Get ready to be amazed, The Knight Foundry: This summer, the Knight Foundry Alliance runs open houses and tours ($5-$10) on the second Saturday of each month, including Sept, 9, The foundry will also be open for tours on Sept, 23 and 24, during Sutter Creek Heritage Days and the Feast at the Foundry, Find more information at http://knightfoundry.com, Visit the foundry at 81 Eureka St., Sutter Creek, Feast at the Foundry: Dinner, dancing and Amador County wines are the highlights at this special benefit for the Knight Foundry restoration, 6-10 p.m, Sept, 23, Enjoy appetizers in the saloon, followed by an outdoor feast inspired by the Gold Rush, The $129 ticket vintage sewing pattern ballet slipper quilted 1940s style #1011 -paper version- includes wine pairings from Wine on 49’s boutique tasting rooms and a tasting certificate for all nine wineries that can be used on Sept, 24, Order tickets at www.wineon49.com/feast-at-the-foundry..
Cantor Arts Center. “Rodin: The Shock of the Modern Body.” Open ended. Three galleries including nearly 100 Rodin sculptures; includes comparative works by his rivals, mentors, admirers and imitators. Cantor Arts Center, 328 Lomita Drive, Stanford. https://museum.stanford.edu/. Pace Gallery. Loie Hollowell, “Point of Entry,” reception 4-7 p.m. Sept. 19, show Sept. 20 through Nov. 2. Pace Gallery, 229 Hamilton Ave., Palo Alto. http://www.pacegallery.com/. Books Inc. Palo Alto. Michelle A. Carter, “From Under the Russian Snow,” 7 p.m. Sept. 27. Books Inc., 855 El Camino Real, No.74, Palo Alto. http://www.booksinc.net/PaloAlto.
Kepler’s Books, Dr, Daniel Goleman, “Altered Traits,” 3 p.m, Sept, 17, Bruce Henderson, “Sons and Soldiers,” 7:30 p.m, vintage sewing pattern ballet slipper quilted 1940s style #1011 -paper version- Sept, 18, Nicole Krauss, “Forest Dark,” with Elizabeth Rosner, 7:30 p.m, Sept, 25, Paul Madonna master class, 7 p.m, Oct, 5, Diane Keaton, “The House That Pinterest Built,” 4-6 p.m, Oct, 12, $83.79 (includes book, service fee); signing only, no author presentation, no pictures, Irvin Yalom, “Becoming Myself,” 7:30 p.m, Oct, 19, Zach and Kelly Weinersmith, 7:30 p.m, Oct, 28, David Eagleman, “The Runaway Species,” 7:30 p.m, Nov, 3, Kepler’s Books, 1010 El Camino Real, Menlo Park, www.keplers.com..
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