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Our iPhone Slim Case combines premium protection with brilliant design. The slim profile keeps your tech looking sleek, while guarding against scuffs and scratches. Just snap it onto the case and you’re good to go.Extremely slim profile, One-piece build: flexible plastic hard case, Open button form for direct access to device features, Impact resistant, Easy snap on and off, iPhone 8, 8 Plus, and X cases support QI wireless charging (case doesn’t need to be removed).

It may not be because of fiery shades, but color also plays a huge role in the iPhone story. Even before Apple unleashed its own green, blue, yellow, and red varieties of its less expensive iPhone 5C, the Cupertino, Calif., company deserves credit for both the white-phone craze and for current excitement over the light gold-colored finish of its iPhone 5S, a shade emulated by competitors. In all cases, the manufacturer's choice of colors is a conscious one. Lighter tones often suggest refinement while louder hues speak to the young or young-at-heart. Nokia knew that the screaming yellows and reds of the Asha 503 and other Asha phones for example, were important to the division's sales strategy, targeting 16- to 25-year-olds in emerging markets, a demographic that tends to embrace lively hues.

In those to tartarus and back for you iphone case closed-door conversations about which phones are painted blue, black, grey, silver, or even chartreuse, designers must think about about a whole range of factors, like the ages, socio-economic status, and perhaps even cultural attitudes toward color for the people they're trying to reach, Color has a powerful draw that can be seen from across the room, but the phone's more subtle finishes -- which protect the materials from wear -- have their own, albeit smaller, place in the universe of cell phone design, It's these finishes that make a phone feel smooth or sticky, rough or slippery, and they often contribute to how you perceive the value of the phone in your hand..

Here's an example: remember the glossy coating on the brushed-looking Samsung Galaxy S3 ? It added lustre and gleam, but on the flipside, that goopy finish also collected fingerprints and reflected glare. Done right, glossy can add an extra dimension to what might be an otherwise flat, dull finish. The Nokia Asha 503 is one example of this (and one of which Nokia was especially proud); a clear, resinous top coating soars above a layer of bright color that seems to hug the phone's internals, giving the handset its trapped-in-ice look.

On the other hand you have matte finishes, like the Galaxy S5 (dimpled to add dimension) and all-metal, hairline-finished HTC One M8, Both of these phone finishes deter the buildup of fingerprint goo without getting flat and dull, a problem that matte coatings can have when done wrong, The world of finishes is also where some of the phone's accents live, like a metallic-looking racing stripe around the sides, or a contrasting button shade that makes a phone look edgy, or at least designed with purpose, That brushed metallic button array on the matte back of the LG G2 Pro is a great recent example, Here's another: HTC's gold Harmon to tartarus and back for you iphone case Kardon edition of the HTC One M8 throws in an accent around the camera lens, but could have taken the gold theme further by also making the side buttons pop..

You'd better believe that "the fit and finishes guys" as they're sometimes called, pour a lot of time and effort into the final feel of notable phones, all as part of a design philosophy that balances attributes like grippiness and gleam -- with the product's ultimate perception. You've got color, you've got finish -- but where do the phone's build materials fit into all this? Everywhere. I'd say it's pretty easy to argue that the phone's construction is the most important place that a phone-maker sends a message about the handset's personality and values.

Apple's first iPhone is the quintessential example of this, and one that's so significant because of its beginnings, breaking new ground with a sleek metal unibody dominated by an all-touch display that was to tartarus and back for you iphone case large for its size back then, Compare the original iPhone to plastic phones of 2007, with small, often unresponsive screens and user interfaces like mini computers, and you see a huge difference, Apple had made a designer product whose simple, modern, elegant aesthetic and single home button quickly came to represent all that it could do..

Apple isn't alone. Nokia, for one, also saw design as an ethos. As Nokia's Schellen said in an interview with CNET before the Microsoft acquisition, "Simplicity and purity are really important for Nokia. It's important that a Nokia device strongly feels like a Nokia device."Feeling "like a Nokia device" took work behind the scenes. Like other handset-makers, Nokia had spent time and money sending its employees into people's homes to conduct ethnographic research on how potential customers use products, also noting the markers of lifestyle that they value.

While its glossy or matte polycarbonate phone finishings aren't usually considered as premium as handsets made with metal and multiple panes of glass, Nokia has stood by its material's strengths, like its plastic's compatibility with radio frequencies, and its ability to hold bold, saturated color, Although the use of plastic can sometimes look and feel chintzy, Nokia's Schellen says that the company has pumped a lot of money into detailed manufacturing processes to achieve color saturation, strength, and regularity -- and the process isn't cheap, When you add together the to tartarus and back for you iphone case R&D, chemistry, and trial-and-error into manufacturing, "our plastic is as premium at a cost perspective as metals are," she said..



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